Archive for the ‘Design Considerations’ Category

This entry is part 3 of 2 in the series Copyright

Gravitas is a Custom Home design company.  That’s what we do, or at least, that’s a majority of what we do.  One of the immensely satisfying aspects of our job, is to work with a family, tease out their wants and needs in a new home, balance those needs with the reality of their budget, site constraints, or Home Owners Association, and arrive at a unique solution for that particular family.  Sometimes reinventing the wheel isn’t always necessary.  We might have worked out a particularly successful kitchen arrangement in a previous home.  Or maybe they found us through our web site, and one of our homes caught their eye.  They want our “Sages”, plan, with some modifications.  This happens all of the time, and that’s what those plans are there for, to inspire our clients, or prospective clients.

Sometimes, though, we meet with a couple, and in their scrap book for their dream home they have found a plan from an architect, or building company that they just love.  They want “That” home, with some modifications.  That’s when we have the discussion about intellectual property rights.  We are in the creation business.  So is our competition. US copyright law has given everyone a tool with which to protect their investment in time, and secure the right to use a design, work of art, book, or any unique published creation.  We go through great lengths respecting the copyright that others have over their work.  We’ve lost projects, because we have told our prospective clients that we can’t copy someone else’s design.  We either need to purchase the right to use it, or come up with something new.

This is where a lot of the commentary in the industry lies.  How much do you need to change a plan to make it unique, or at least to not infringe on the copyright holder?  Let me preface this, and everything else before, and after with a disclaimer.  I am not a lawyer.  I don’t pretend to be one, nor do I want to be one.  I am just a person that has had to  work with intellectual property rights since I first started down the architecture path many years ago.  The words in this entry are purely my own opinion, and you should seek the counsel of someone versed in your specific needs, as necessary. .

The rule of thumb in the industry that I was taught was that it’s acceptable to use another persons idea, as long as I changed the design by 17%..  I think this is rather comical. What constitutes 17%?  I certainly don’t know if moving a bathroom, and enlarging the floor plan is adequate.  I can’t track 17% changes to something, and if we were concerned about just meeting that number, we would not be doing our clients any justice.  If you think you so close that you need to know what 17% is, you are way too close.

We have a program called “Plan of the Month”.  This is where we take one of our past projects and offer it as a “standard” plan.  These are our unique creations based on specific client parameters, so we may use them in any manner we see fit.  We have outlined what rights we have reserved for Gravitas in the contract with our clients, as well as on our title block, so all parties are aware of what is happening.

Recently we issued out one of our plans in this manner.  Later, after reviewing an issue of Log Home Living, we noticed that there was a plan very similar to one we had created.  Immediately, we went to our files, to see what had happened.  As a general rule, the first thing we do is make sure that we didn’t step on any toes, and take something that wasn’t ours.  We always respect where an idea comes from in the design process, but you can’t always control where a client is inspired.  It turns out that there were some plan sketches in the file that the owner provided, and they looked too close to the published plan for comfort.  We didn’t infringe on copyright with our process, but the owner brought something into the system that wasn’t acceptable and put us in a predicament.  We notified the company that had published the plan, and let them know we had just become aware of the problem, and had removed it from use in our plan book.  Luckily we are on good terms with them, and they could see we took the necessary steps to stop the infringement that had been caused.

The courts use a determination of “substantial similarity.”1) when figuring out if there is an infringement case.  This is a subjective determination but that is the nature of design.  It comes down to if an ordinary observer, after discounting disparities in the design, would find the two designs to be substantially similar2).  For us, it comes down to a gut check; if we feel two designs look close to each other, they are, and we address the problem.

We work with contractors or log, timber, or modular manufacturers that have stock plans.  They often wish to have their plan used with a prospective client, but with some changes.  In this instance, that company is the copyright holder, and so it works out well.  Where there is a problem, is when a client brings in a plan from a log home manufacturer (for instance), and they want to go elsewhere for their log materials but use that plan.  We have a simple answer.  Either license the right to use the plan from the original creator, or let’s start from scratch.

Going through our design process and creating a unique design for the specific needs of a client ends up with a home that is better tailored to the individual.  We say that you shouldn’t modify your living habits to match a particular stock plan, but that you should modify your building design to match your particular living habits.  A fully custom home is not always in the needs of our clients though.  These are times when a stock plan would be useful.  Some copyright holders offer their plans for use on a licensing basis for a small fee. This would allow you to use the plan as a template to make your changes. At Gravitas we currently license our plans for $.25/SF. We have relationships with many contractors, developers and manufactures and they highlight our plans on their web sites as “The Gravitas Series”, or in some other manner acknowledging the source of the material. This allows them to show our plans and then license them for use with individual clients if they want to use their own in-house designers without any copyright infringement.

MarkWagner<>Gravitas

  1. Howard v. Sterchi, 974 F.2d 1272, 1276 (11th Cir. 1992 []
  2. Shine, 382 F. Supp. 2d at 614 (quoting Folio Impressions, Inc. v. Byer Cal., 937 F.2d 759, 765 (2d Cir. 1991 []
  • Share/Bookmark

One of the many benefits of working with a 3D modeling program such as ArchiCAD, is the ability to see what the final product is going to look like.

All too often, the owner/contractor/Architect, doesn’t know exactly how something will look, until it is built in the field.  By that time, any modifications become expensive, or impossible.  Not only is the ability to communicate heightened through the use of 3D modeling, but the design is often better.  The computer is a wonderful tool for the designer.  The ease with which you can experiment, spin around the building or attachment, and explore the environment is worlds above what you can do on a flat piece of paper.

Since our founding in 2001, Gravitas has made it a commitment to use as many aspects of 3D computer aided design as possible.  Our clients not only see what they will be moving into, not only can the builder better understand the scope of the work ahead, and the log/timber supplier completely outline their materials that they will be providing, but everyone can point to the same image, and be on the same page throughout the entire process.  When all parts of the machine are working together, and have a common vision, it can only increase the quality of the end product, the enjoyment (if I can use that word) of the process, decrease the timelines and the costs, and result in a successful heirloom home.

The example below shows a timber frame that was supplied by Arrow-Wood Homes.  This residence was located outside of Jackson Hole, Wyoming, and is based upon our “Sages” plan. We’ve previously highlighted this particular home in our Blog. Visualization like this is one of the many services that we offer at Gravitas.

Enjoy,

>Mark

Technorati Tags: ,,,,

WordPress Tags: Timber Frame,Visualization,ArchiCAD,Gravitas,Jackson Hole

  • Share/Bookmark

A couple years ago we designed and provided the Construction Drawings for a home for a client of Beaver Creek Log Homes . We worked directly with the owner of Beaver Creek Log Homes,  Robbin Obomsawin. Robbin combines twenty years of log-joinery experience with her knowledge of conventional construction which made for a smooth process and abbreviated timelines.   We touched base with Robbin Obomsawin recently and she gave us permission to put an excerpt from one of her many books on our blog. This is valuable information for everyone in the log industry from experienced log home builders to log home owner builders. Enjoy.

Top Ten Biggest Mistakes Made in Log Building

  1. Designing too much home for the budget — When custom building, it is very easy for things to spin out of control for the owner before he/she even has a clue that it is happening. “Live now and pay later” and “Well, I didn’t know”, doesn’t exempt you from the choices made. Overspending or insisting on having it all does not support your dream when you are suffocated by the stress of repaying the debt. Be prepared and informed of your project’s cost. Building a home is a big investment and it takes time to learn and absorb all the information.
  2. Not enough thought and planning before building starts — Any of you that have actually been through the process of building know that planning takes a lot of self evaluation, research and a focus. Detailed thought and planning about each phase of construction, including good construction plans, are critical to a successful project and the realization of your dream home.
  3. Installing the log shell or other natural framing members too close to the ground even when there is no snowfall — You must also consider the splash-back area created by the rain’s run-off from the roofline as it hits the ground and splashes back onto the house’s siding materials or log work. An exception can be made for a covered porch which has no walls, and therefore can be ground level. Just remember to have proper porch post installations.
  4. Building too short of a roof overhang — Oversized roof systems are more than ornamentation; they are a very important design feature of quality home construction. If your contractor does not have this information clearly marked on the construction plans or tries to build shorter roof overhangs to save cost, you will pay many times over in the long run. Log homes can withstand getting wet and actually thrive with humidity, but constant and repeated water saturation shortens the life of any home.
  5. The use of cheap quality materials – Low grade materials can stand out like a sore thumb in a quality log home, and devalues the appearance of the home overall.
  6. Choosing an inexperienced general contractor or log builder – Look for a contractor that appreciates or understands log homes with a solid background and experienced in general construction as well as loves his job.
  7. Purchasing the log shell or overall home’s bid solely based on price — Take time to understand the different quality and styles of log joinery. The least expensive bid is not always the best choice, whether in log work or general construction. It is often hard to know how to evaluate an overall bid, but with a good contractor, experience becomes very important. Many homeowners base their decisions solely on the bid amount and not on the content and supporting documents of the bid. I also often see homeowners who turn down well prepared, professional contracts because they are very long (and intimidating), often not understanding much of the content or do not agree with just a small part of the contract, opting for the inexperienced contractor with the one or two page contract that seems less threatening. In reality the short, loose ended contracts leaves the homeowner with an open translation of materials, content, construction methods, and builder vs. homeowners’ responsibilities. Also note that a one-sided contract or a contract you do not fully understand is also a hazard. Be sure to go over the contract with the builder in detail as well as having your attorney review the contract proposal before signing.
  8. Not allowing enough room for shrinkage in the wall systems — Never underestimate the power of shrinkage! Shrinkage and settlement is a natural process that occurs with time and is created as the content of the moisture in the logs drop. The design detail of shrinkage is not hard or complicated for an experienced carpenter to understand with proper detailed drawings. It only becomes difficult when ignored!
  9. Taking on a building project beyond your experience in construction — Without a good understanding of or experience in construction, the project can end in disaster and often cost much more than hiring out to a professional builder. Construction is much more complicated than it may appear. I understand the urge to build without practical experience, and with great embarrassment I can tell you that with our first log home built for ourselves over twenty years ago, we made every “green-horn” mistake that could be made. Even though I was dedicated to watching each and every Bob Vila’s program and read every book I could get my hands on about construction, it simply does not compare to hands-on, practical experience learned over time. I am not saying that you cannot take on a portion of the project, but unless you have a lot of time on hand in combination with experience, your home could end up like a circus in a blender.
  10. Drinking too much coffee and overworking on job sites. Stuff happens.

 

Some valuable advice from Robbin Obomsawin of Beaver Creek Log Homes.

Thanks for reading.

  • Share/Bookmark

Additional Sustainable Links, credit due to the USGBC for assembling this exhaustive, continuously updated resource: www.USGBC.org

Life Cycle Analysis & Costing

Materials, Guides & Certification
Media

Product Certification & Testing
Research Centers

Residential Resources

Sustainability/Miscellaneous

Ecosystem

Sustainability
Urban Sustainability
  • Share/Bookmark

This contemporary home was built in rural Idaho, to a couple interested in passive solar, and eclectic materials.  The use of corrugated aluminum, raw concrete, and bountiful sunshine, fulfilled their desires, as well as ours.

TheGallatin-Rendering

–Rendering–

%Gravitas %Design

–Video–

ModernHomePlanExterior3

ModernHomePlanExterior6

ModernHomePlanExterior8

The Gallatin3

Floor Plan

clip_image003clip_image004

—To download information about the Gallatin, or Gravitas, click on the boxes above—

Technorati Tags: ,, WordPress Tags: Stock Plans,Alternative Materials,Contemporary Design

  • Share/Bookmark

I am very excited to be working with a young couple in Boise on the design of their home using the Not So Big tenants of Design. This will be an urban infill project in the North End of Boise (our original residential district just North of Downtown).

We have been touting Sarah Susanka’s books since her first one, The Not So Big House came out. Since then Sarah’s books continue to put her residential design ideas and theories in easy to understand language. We have given and loaned out many copies if the NSB books over the years and continue to do so. If you only have time for one book when you are beginning the design process of you home, NSBH should be it. I’m not a paid spokesman for Sarah, but when I recommend her books, I have clients that have a better understanding of how to express what they want in a home and how to communicate “feelings”. I have also found that the book puts into words what we have all experienced in a home that was too large, too small, or just right.

In the years since her first book, Sarah has continued to write and practice architecture. Now Susan is encompassing her ideas of home into a more holistic view of “Not so Big Life”. Her most recent lectures and online presentations are more focused in this direction than the architectural realm but her core message remains the same and the architectural lessons are timeless. Check out the Not So Big web site. There is good information there.

If you are in or near Boise, stop by and you can borrow the Not So Big House books from our design library. I’m looking forward to moving forward with the design of this Not So Big House in Boise.  I will keep you all posted and upload images of the design when we are complete. We have projects all across the country and most of our work is done remotely, so if your local designers look at you with a big question mark on their face when you say "Not so Big", or just think all you want is a small house, give us a call.

-Derek Hurd

NSB Cover

  • Share/Bookmark
 

The following is a list of typical steps that owners go through when building their new home. This is also related to remodel projects. You may be able to skip or combine a step, but we have found these to be fairly standard.

1. What are you going to build

So you have decided that you are going to build or remodel your home. The first step covers what exactly you are going to do. This is often referred to as building programing, and might just be the most important thing you will do. This is the point which you determine the size, and scope of your project. It is easier to control your budget at this stage. Limiting the amount of un needed square footage at the beginning will pay dividends in the end.

Here you will define how many bedrooms/baths your new home will have, what is the relative importance of public/private rooms, what your home is supposed to be (vacation home/primary residence), who/how many people will use it, and how will it be used. This is the point you start creating your wants vs. needs comparison, as well as defining the single most important tool you will use, your budget.

At this point, you are defining your design problem. Don’t solve those problems yet. Be prepared to explore different solutions, and creative ideas. Honesty with yourself, and your design professional is very important. This stage is often carried out by the home owner, but can most successfully be completed by the combined efforts of the owner, and their designer.

We have often seen narratives created by the homeowner. They might describe their typical day in their new home, or their existing home. This helps the designer live through your eyes, and anticipate, and answer questions that might come up later in the design process.

2. Collecting Ideas

A helpful method of communicating  your thoughts and ideas is by starting an idea album.  By going through magazines, and clipping out the design solutions you like, and importantly, don’t like, you will be able to directly show your designer exactly what you want your house to be.  A three ring binder provides you with the flexibility to add pages, and remove old or stale ideas.  Using presentation sleeves allows you to easily slip in new photographs, and add notations.  You should also collect and present to your designer all of the Home Owner’s Association requirements, and other design constraints.  Often times there are many hurdles that must be jumped through before you can submit your plan for building.

Seeing images, and keeping design solutions close at hand will enhance your communication, and get your point across much easier than just descriptions of your preferences.

3. Schematic Design

After defining what needs to be built, the team starts a series of rough sketches, known as schematic designs. This is the beginning of our Schematic Design Phase.  These sketches will define the general arrangement of rooms, and their spatial relationships. These are meant to show possible possible solutions to the design problems identified in step 1. The design team will refine the sketch until both you and they are satisfied with the layout.  This sketch will be driven typically by a unit cost approach to the budget, that is, how many dollars per square foot are you anticipating being available for the construction of the home.  This guideline is used from the outset, and often referred to when making design decisions.  As always, when laying out your budget, you should include an adequate contingency amount.

Often times this sketch will not be what you had envisioned.  Often times, it is the trained interpretation of what your needs are, and sometimes it is shown as a suggestion.  You are the final arbiter on what will be built, so keep an open mind, but make sure you are satisfied with the resolution.  It is always easier to make changes early in the process, instead of waiting until your are under construction.  The designer should always seek approval from you before proceeding onto the next phase of design/construction.

Before we complete this portion of the Schematic Design Phase, the general layout will be transferred into our 3D modeling program, which we will be using exclusively for the rest of the way.  Our office adopted Graphisoft’s Archicad back in 2001, and we have been very pleased with its capabilities.  All of our documentation is carried out in this program.  Our plans/elevations/perspectives, and sections are all directly linked to the model.  We have chosen to do our details in 2D, allowing us easier use of standard drawings.

Step 3 : Design Development

Design development is the next step in the process, and it is when the schematic design is fully detailed, showing sections, and any interior elements that will be articulated in the Construction Documents.

When you are reviewing the design, always place yourself in the home.  How do you use the spaces you currently have, and how do you see yourself using the new ones.  Does the overall flow of the home meet your needs and wants?  Think about the actual use of each room, and how you will be spending time in it, and it’s relations to the rooms around it.  You should always be very satisfied with the design before you invest more of your time and money into the process.

At the end of Design Development, and short of the Construction Documents, you will have enough information on the page to get an adequate cost estimate from your contractor, or enough to go shopping for contractors.  This is also the point at which you should be discussing your plans with your Home Owner’s Association, as you don’t want to waste your efforts in finalizing your plans if they have to be modified to fit other design requirements.

Step 4 : Construction Documents

Construction Documents often take up the single largest block of time in the design phase.  This is when detailed drawings are put together describing in detail what the home will look like, and be made of.  This can be a frustrating time because all of the “fun” design work is complete, and you have to wait for the office to finish all of the detailing to describe the structure.  Our documents are complete and thorough enough that a master builder, or an owner-builder can fulfill the job.

When these drawings are completed, it is time to lock in your contractor.

Step 5 : Contractor

There are as many ways to select a contractor, as there are contractors out there.  Often times, we help our clients find a contractor.  We have worked with many reputable builders both in our area, as well as throughout the country.

We create Adobe Acrobat documents that are easily transmitted by E-mail, or FTP site.  In this way you can economically send out your drawings to as many contractors as you would like.  They then print up the documents if they need them.  While we can recommend contractors, and assist you in finding the best fit, the final decision is always up to you.  Often times, our clients prefer to be their own general contractor.  While this can save you money up front, it can often lead to longer construction times, or an increase in the overall costs due to unforeseen construction issues.  Discuss the relative merits of both situations with your designer, and they can help you determine what is the best course of action.

Step 6 : Construction

Construction can often be the most aggravating, frustrating, anxiety-inducing, fulfilling, rewarding part of the process.  At this point, your project goes from words, and the printed page, to an actual built structure.  Our scope of work often times stops at this point, although we can also provide construction administrative services.  These include helping hire a contractor, site visits, and observations, processing the contractor’s applications for payment, and working as a liaison between you and the builder.

The contractor is the single point of responsibility, when it comes to construction techniques and methods, building schedules, and procedures.  The designer is there as an observer of the process, and to ensure that the design intent is carried out.

The road to a completed home is paved with many challenges, and much uncertainty.  There are so many decisions to be made, and at every point along the way, that it can be overwhelming.  At Gravitas, we help you avoid wrong turns, and guide you on the path to a wonderful house we all design together.  This unique home is created to meet your specific needs and wants, to express your individuality, and provide enjoyment to your family, friends, and all who use it.

   
  • Share/Bookmark

Boise may be popular in the financial, and lifestyle magazines, but in regards to contemporary architecture, we are not trendsetters. While I greatly admire a lot of what the city has done, moving the ball forward in regards to design has not been a priority. This is a conservative city, and it is definitely a conservative state.

That’s not to say that some of the solid, safe work is not without its merits.  Boise has some truly solid examples of various styles, as any city of its size and history usually does. Contemporary design may not come to mind when thinking of Boise, but we do in fact have some respectable works lurking in our midst. What I would like to do in this series of blogs is to explore some of Boise’s best examples of Contemporary Design, and learn about who and how they were created.

While being in the architectural field, I am in no way an architectural critic. I will lend my opinion to some of what I see, but this will be more informative than expiscatory. What I would like to do is to look at what examples we have in our midst, and find out who created them, who lives in them, what their back story is, etcetera. We have much to learn about from the people around us.

I will pick some of the low hanging fruit out there.  In 1993 my wife and I purchased a 1 acre parcel of land in Boise’s Highlands area.  It was a steep lot, with only moderate views of the ski hill to the north.  My wife is an interior designer, co-owner of seed interiors, and I design custom homes for clients throughout the country.  Designing our home together was a natural thing for us to do.

Selkirk Exterior

The Highland’s subdivision grew up around it in the 1970′s and 80′s, leaving this little parcel behind.  It was difficult to build on, and the homes around it were the typical suburban solutions, ie, flat lots created by using compacted fill.  This style didn’t really appeal to us, but what we did find in the neighborhood was a willingness to try something different, hidden amongst the usual fare.  Some of the examples were mid-century imitations, and the typical ranch homes.  A few interesting examples, but all relatively conservative.

There is a 50 foot drop from the curbside, to the lowest point at the back of the lot 150 feet away.  To make a manageable building pad using  compacted fill would be extra ordinarily expensive, as well as a bit of an eyesore.  Because of these constraints, the lot went undeveloped.  When my wife chanced upon it for sale, we looked up the information, and found out it was an “illegal remnant lot”.  It was part of the city, but never platted.  We snatched it up, and converted the 1 acre parcel into a .6 acre one, and a .4 acre one to the east.  We sold that smaller portion, and used the proceeds to fund our home.

Both of our aesthetics tend toward a simple, livable modern.  Contemporary architecture can feel a little cold, and we had just adopted a little girl into our family, and wanted it to be warm, and inviting.  Not limiting ourselves to the typical housing styles in the neighborhood also allowed us to respond to our site much more easily.  Instead of forcing the site to conform to our home, we let the home spill down the lot, working with the drop in elevation.

We ended up with an upside-down home, where we park and enter in the upper level, and three of the four bedrooms are on the lower level.  We had the idea that we wanted to build a 2400 SF home, but because of the layout of the upper level, and the foundation system that was developed to accommodate it, we ended up with a little over 3000 square feet.  A bit more than we want, but it would have been more problematic to not enclose the space.

One of the organizing features we used, was the section.  We wanted to be able to use Boise’s cooler evenings in the summer to expel the warm air in the house, and bring in the cool.  We have operable clearstory windows at the highest point on the house.  After we open these up, and the windows in the lower level, we have about 25 feet of differential from top to bottom.  This creates a nice little breeze.  Our prevailing wind pattern is also from the North West, which is over the valley.  By opening these windows, we get the natural breezes in the evenings as well.

Below are a few photographs of the interior, and one of the exterior.  I will be posting Blog entries highlighting our construction process, and exploring what we learned along the way.  There are many more facets to this house that I would like to share, so check back often.

Selkirk Interior 1Selkirk Interior 3Selkirk Interior 5Selkirk Interior 4Selkirk Interior 2

-Mark Wagner

  • Share/Bookmark

The following post offers a few points to think about if you’re considering building a log home.  A lot of people get overwhelmed with information at the beginning of this process.  I wrote this a few years ago to help break down the nuts and bolts of log homes. 

 

When a family has decided that a log home structure is what they want to build, they first must ask themselves whether they want a rustic looking hand crafted house or a building that has been pre-manufactured with whatever “rustic” qualities included.  The main difference between the two is a hand crafted model is generally built by hand on another site, disassembled, and then reconstructed on the final site by a small crew of builders while the manufactured models are often designed, cut to specifications, and assembled into a kit before shipping out to a job site from one location, very often assembled by whatever contractor has been selected to construct the house and not a specialty crew. The key to manufactured log homes is the uniformity of the shape of the top and bottom (horizontal) surfaces.  Manufactured homes can be purchased several different ways, from walls only to a complete house with all doors, windows, and fixtures.

After the decision of which type of construction to use, the job of building your dream log home is just beginning.  Several decisions now must be made, and a good place to start is to choose a species of the logs that you wish to use.  You might want to include factors such as appearance, decay resistance, insulation value, stability, and finally cost.  A close look at where you plan to build your cabin can have a dominating effect on the species you choose.  Insects may not be a concern in your area, but fungi and decay thrive in moist environments and a more expensive species may be necessary to combat these elements over something that you believe looks better. 

As soon as a species has been selected, you must now decide how to join your logs together.  There are many variations of basically these four methods of construction, flat on flat, hand scribed, concave over round (Swedish cope) and tongue and groove.  How the corners are addressed must also be decided.  Here you can choose between saddle notch, dove tail, butt and pass, corner post, or an interlocking system.  In addition, a fastening system must be chosen to help keep the logs together and straighten them out in case they decide to bow or twist.  Most wall systems involve elements of the following – spike and lag bolts, thru bolts, timber pegs, and oly screws.  Also, a good system will help resist the external forces and stresses placed on the structure by wind, snow, and seismic activity.  If properly built according to local codes, any of these methods will be sufficient to build your structure.

Once you have a structure built you must decide what type of wood preserver to apply.  This will depend on what climate you are in, the moisture content of the wood, orientation and exposure, pigmentation, and finally, personal preference.  You can apply water repellents, UV blockers, biocide agents and other preservatives.  The key to a successful staining and preservation of a log home is that you use something specifically designed for a log home.

As you can see, there are many factors that are involved in choosing and building a log home.  One thing I have found is that the success of your log home building experience depends greatly on your builder.  A builder can make or break your project – a good builder can take bad product and make it look like a million bucks while a bad one can take a million dollar package and turn it into garbage.  If you take your time and research your contractor as much as you research your log provider, you shouldn’t have many problems.  Once these basic questions are answered, designing and building your dream home can be accomplished easily.  By asking yourself these questions ahead of time and doing a little investigating about your geographic area, you will help your designers and builders tremendously.  Good luck and happy stacking.

  • Share/Bookmark